崔鶯鶯與杜麗娘形象的比較

漢語言文學論文編號:HY163  論文字數(shù):12547,頁數(shù):16

目       錄
 一、引言 1
（一）研究現(xiàn)狀 1
（二）擬解決的問題 1
二、從二人的出場來看二人之不同的絕代容顏 3
（一）崔鶯鶯之華麗出場 3
（二）杜麗娘之含蓄登臺 3
三、試分析崔鶯鶯與杜麗娘的心理特征 5
（一）“由情入欲”之崔鶯鶯　　 5
（二）“由欲入情”之杜麗娘 6
四、寫者之傳 8
（一）王實甫小傳 8
（二）湯顯祖小傳 8
五、崔鶯鶯與杜麗娘人物形象之演變過程 10
（一）論崔鶯鶯形象的轉(zhuǎn)型 10
（二）論杜麗娘形象之生成 10
六、總結(jié) 12
參考文獻　　　 13
致　　謝 14

摘   要
 《西廂記》和《牡丹亭》都是反映青年男女沖破封建禮教的束縛和追求自由愛情理想、反對封建專制的優(yōu)秀劇作。本文分四個部分對崔鶯鶯和杜麗娘的形象進行比較。首先分析她們各自的形象，給人一個整體上的認識；其次從她們所處的社會背景、生活環(huán)境入題，證實環(huán)境與人物性格的關(guān)系；再次淺析她們叛逆形象的異同，分別從年齡、感情、性欲和叛逆性格等方面進行綜合性的比較；最后揭示出崔鶯鶯和杜麗娘超越傳統(tǒng)意識的叛逆性格所具有的深刻內(nèi)涵。
 關(guān)鍵詞：外貌；成長；作者；環(huán)境；比重 
 Abstract
 Both 《The Romance of West Chamber》 and 《The Peony Pavilion》 are the mirror to reflect how lovers who struggle to abandon the tie of the system of feudalism and pursue the free love. In balance, it,s a excellent play. It is divided 4 parts to compare Cuiyingying and Duliniang. First, I will analyse their own figure, so that will present an entire cognition; secondly, their  social backgrounds: Yuan dynasty and Ming dynasty  will be chosen to confirm the reason why they have such different temperaments; thirdly ,from their age,emotion,sexual appetite and their rebel nature and so on to compare to distinguish the difference; and the last but not the least, I will reveal the sublimation from Cuiyingying and Duliniang. That,s all.
 Key words:  figure;growth;writer;background;proportion