太宗時(shí)期宮廷唱和詩評議

漢語言文學(xué)論文編號:HY167  論文字?jǐn)?shù):14511,頁數(shù):17

目     錄
引言 4
貞觀宮廷唱和詩概況 4
貞觀前期——去浮華、尚雅正 5
貞觀中期——“兩分”現(xiàn)象與雅正、雅致并舉 7
貞觀后期——“兩分”現(xiàn)象的深化 10
再審視——“對立詩論”的線索 12
附一：太宗時(shí)期重要宮廷唱和活動編年表 14
貞觀前期 14
貞觀中期 14
貞觀后期 15
附二:太宗未能“慎終如始”相關(guān)史料 16
參考文獻(xiàn) 17
致   謝 18

摘     要
 作為太宗時(shí)期最重要的詩歌類別——宮廷唱和詩，歷代以來評論褒貶不一，但多集中于對其文學(xué)價(jià)值的否定與文學(xué)史功績的肯定兩類片段式的評判上，鮮有將宮廷唱和詩結(jié)合政治經(jīng)濟(jì)背景與各類社會文化因素起來研究其發(fā)展脈絡(luò)。本文試圖通過對太宗時(shí)期宮廷唱和詩進(jìn)行全方位剖析時(shí)解讀出演進(jìn)過程中暗藏的“對立詩論”實(shí)踐的線索，以理清脈絡(luò)，從而加深對太宗時(shí)期宮廷唱和詩的理解。
 關(guān)鍵詞：太宗時(shí)期；唱和；對立詩論

 Abstract
 The single most important period as Taizong poetry categories - the court sing poetry, the ages mixed reviews, but more focused on their literary value of the negative and the positive achievements of literary history-based eva luation on the two fragments, little will court poetry combined with political and economic background sing all kinds of social and cultural factors together with study of their development context. This paper attempts to sing poetry Taizong conducted during the court interprets a comprehensive analysis of the evolution of the process when the hidden "against Poetry" practice leads to clarifying context, and thus deepen Taizong sing poetry during the court's understanding.
 Keywords: Taizong period; Responsorial Poems; Opposition Poetry