《滄浪之水》女性形象分析

漢語言文學論文編號:HY117  論文字數:11348,頁數:13

目  錄

前  言……………………………………………………………………………1
一、女性形象的個性特征………………………………………………………1
 （一）許小曼及其形象特征…………………………………………………1
 （二）屈文琴及其形象特征…………………………………………………3
 （三）董柳及其形象特征……………………………………………………3
 （四）沈姨及其個性特征……………………………………………………5
 （五）孟小敏及其個性特征…………………………………………………6
二、女性形象特征的異同比較…………………………………………………6
三、女性形象所反映的文化內容及時代特征…………………………………7
 （一）女性形象的文化基因…………………………………………………7
 （二）女性形象的時代特征…………………………………………………7
結  語……………………………………………………………………………8
參考文獻…………………………………………………………………………9
致  謝……………………………………………………………………………10

摘  要：閻真先生的《滄浪之水》在以主人公池大為的人生經歷為主線展開故事的同時，亦著力刻畫了幾位女性的獨特形象。作者在描寫這些女性形象時全無雷同之嫌，由于她們的背景、經歷、文化層次的不同，每個人有每個人的獨特性格。許小曼、屈文琴、董柳這三個在主人公池大為的人生經歷中最重要的女性各有其特征，但作者并不是僅僅從人寫人，而是寫出了每個人性格形成的根源，并把形成每個人性格特征的文化背景凸現了出來，深刻地刻畫了在機關工作的女性形象，從而反映了深廣的社會文化內容。通過對這些女性形象的性格特征以及命運的分析，可以看出，在20世紀90年代的市場經濟條件下，“金錢至上，權力至上”的觀念彌漫在整個中華大地上，當代的知識分子，尤其是知識女性面對這些誘惑是難以抵抗的，于是有不少人便成了權力與金錢的奴隸。在她們心中，“孔子死了！”而且早已將知識分子高貴的靈魂和良知出賣。這不僅是她們的悲哀，也是知識分子的悲哀，更是時代的悲哀。

關鍵詞：女性；形象特征；社會文化；時代特征

The analyzing of the female in Canglangzhishui

Abstract : Yan Zhen's Canglangzhishui take the leading character Chi Dawei’s Life experiences as mainline to spread out the stories, at the same time he also depicts special image of the other several females. The author describes these women without duplication, because of they have different background, experience, and the different levels of culture, and everyone has unique character. Xu Xiaoman,Qu Wenqin, Dong Liu these three females which is the most important in the leading character Chidawei’s Life, each have their own characteristics .The author is not only to write the people based on other people, but also to write the root of each one’s character formation, and showing us the cultural background of everyone’s special character, deeply depicted the image of females who working in the organ, from which to reflects the wide social culture content. By way of analyzed the character and lots of these females, we can see that in the 1990s of the market economy conditions, the concept of “money is the highest, right is the highest” fulfill the whole land of China, the contemporary intellectuals, especially females are hard to resist when they faced these temptations, so many of them have become the slaves of power and money. In their hearts, "Confucius is dead!” also they sold out their noble soul and conscience. This is not only a tragedy for them, as well as intellectuals, but also the tragedy of the time.

Key words: Female; Image feature; Social culture; Time feature