從《夜》的兩個譯本論英語詩歌漢譯的神似與形似

英語論文編號:YY635  論文字數:10974.頁數:33

CONTENTS

 Introduction: 1
 1. Literature Review 3
 1.1 On the Translatabiliy of Poetry 3
 1.2 Poetry translation Theories 4
 1.3 The General Characteristics of English Poetry 6
 2. Theoretical Framework… 9
 2.1 Xu Yuanchong's "Three Beauties" Theory 9
 2.2 Aesthetics and Poetry Translation 13
 3. Comparisons of Resemblances in the Two Versions of Night 16
  3.1 Two Translators and their versions 16
 3.2 A Comparison of Resemblance in Form  20
 3.3 A Comparison of Resemblance in spirit 23
 3.4 Summary 26
 4. Conclusion 27
 Reference: 29

摘    要

 詩歌，在文學作品中始終是一顆璀璨的星，并且具有非常高的藝術性。它所講究的音、形、意的完美結合使得詩歌翻譯一向是文學翻譯中的一大難題。許多翻譯家長期致力于詩歌翻譯的研究，翻譯理論也是百家爭鳴。在參照已有的詩歌翻譯理論基礎上，本文作者選取翻譯美學的角度進行研究。同時采取許淵沖的“三美”學說作為理論框架，對Night的兩個中文譯本（郭沫若的譯本與辜振坤的譯本）進行研究，以考察在翻譯外國文學作品時應當重神似還是重形似。通過形式、語言、意境等諸多方面對兩個譯本進行了比較分析，驗證了神似與形似的適用性，但同時也發現，在詩歌翻譯中，要想使譯本更加完美只有把神似與形似結合起來，靈活把握神似與形似的運用，才能更加如實的傳達原作。
 關鍵詞：詩歌翻譯；三美學說；神似與形似；神韻
 
  
ABSTRACT

  Poetry, is always a brilliant star in the sky of literature, and has profound artistic quality. Poetry translation also is a hard job in literature translation because those poems are so particular about the perfect combination of sound, form and conception. Many translators have devoted themselves to the field of poetry translation for a long time and made great achievements. On the bases of these theories, the author of this thesis chooses the aesthetic angle to explore this field. This thesis is intended to adopt Xu Yuanchong’s “Three Beauties” theory as a theoretical framework to make a tentative study of the two different Chinese versions (Mr. Guo Moruo’s version and Mr. Gu Zhengkun’s version) of Night. The purpose of doing so is to verify whether resemblance in spirit or form is more important in literary translation. Based on the comparison of form, language, conception and some other aspects of the two versions, the paper finds that the translator should adjust the application to resemblance in spirit and form so as to be faithful to the original works as well as to make the translation perfect.
Key Words: poetry translation; “Three Beauties” theory; resemblance in spirit and form; artistic manner