淺析許淵沖詩歌翻譯理論中的美學思想

英語論文編號:YY522  論文字數:5658.頁數:22

CONTENTS
Introduction 1
1. Background and Circumstances of the Aesthetics of Prof. Xu Yuanchong’s Theory of Poetry Translation 1
1.1 History of Poetry Translation 1
1.2 Current Acheivement of Professor Xu Yuanchong in Aesthetics Research 2
2. Analyze “Three Principles of Beauty” in Detail 3
2.1 Prof. Xu Yuanchong’s Opinion on Each Beauty 3
2.2 “Three Principles of Beauty” in Practical Use 4
2.3 The Limitation of “Three Principles of Beauty” 10
3. Conclusion 10
Bibliography 13

Abstract: Because of the huge differences between Chinese and English in linguistic and cultural aspects, the translation of the poems has long been a problem in translation circles. However Prof. Xu Yuanchong, founded the theory of “Three Principles of Beauty” which means beauty in sense, beauty in sound and beauty in form, which gave good directions to the translation of poems. This paper will combine theory with practice, to analyze a translated version of Chinese ancient poems by Prof. Xu Yuanchong, and discuss the application and reflection of the “Three Beauties” in detail. At last, the conclusion that the “Three Principles of Beauty” is suitable for the translation of poems, but in practice, the application of beauty in sense may be the point which could be pursued relatively easier. While the beauty in sound and form can not be pursued too high, as far as possible, only properly. Nevertheless the most important task for translators is faithfulness, which must not ignore the accuracy because of pursuing the “three Beauties”.
Key Words: three principles of beauty; beauty in sense; beauty in sound; beauty in form; aesthetic

摘  要：由于中文和英文在語言和文化上的巨大差異，長期以來詩歌翻譯都是譯壇的一個難題。許淵沖教授從美學的角度，在翻譯理論上他創立了“三美”說，即意美，音美，形美，對詩歌翻譯產生了很好的指導作用。本論文將從理論結合實際，分析許淵沖教授翻譯中文古詩英譯版本，注意探究“三美”的具體應用和體現。得出最后的結論——“三美”適合于詩歌翻譯，但在實際應用中意美的追求相對容易，而音美和形美無法追求過高，只能要求盡可能的貼切。而且譯者的最重要任務是忠實，切不可因為追求“三美”而忽視了翻譯的準確性。

關鍵詞： 三美原則；意美；音美；形美；美學