從三美論看中國悼亡詞英譯

英語論文編號:YY539  論文字數:6504.頁數:21

Contents

1．Introduction 1
2. Introduction to Classical Chinese Elegy 2
 2.1 Development of Chinese Elegy 2
 2.2 Literary Characteristics of Chinese Elegy 3
 2.3 Brief Introduction of Su Shi and Nalan Xingde’s Elegy 4
3. Three-beauty Theory 6
 3.1 Background and Content of Three-beauty Theory 6
 3.2 Relationship between Three-beauty Theory and Poetry Translation 7
4. Case Studies on Classical Chinese Elegy Translation 8
 4.1 Current Situation of Chinese Elegy Translation 8
 4.2 Case Studies of Su Shi and Nalan Xingde’s Elegy Translation 9
5．Conclusion 15
Acknowledgements 16
References 17

摘    要
 本文以中國古代悼亡詞英譯為主要研究對象，首先從中國古代悼亡詞的發展歷程及文學特點著手，引導讀者了解中國古代兩大詩詞名家蘇軾與納蘭性德的作品；并通過對許淵沖的古詩英譯三美論的介紹，指出三美論對詩歌翻譯實踐尤其是對悼亡詞英譯的指導意義；文章重點以蘇軾與納蘭性德悼亡詞英譯為例詳細闡述了“三美論”（音美，形美，意美）在悼亡詞翻譯中的運用，得出結論中國古代悼亡詞英譯既要在詞的音律、形式上體現出美，更要傳達詞中蘊含的獨特意境。

關鍵詞：三美論；悼亡詞；翻譯

ABSTRACT
 This paper mainly studies the English translation of classical Chinese elegy. It first introduces the development and literary characteristics of classical Chinese elegy, especially the elegies written by Su Shi and Nalan Xingde, two great poets in ancient China. The Three-beauty Theory is also introduced to prove its guiding significance in poetry translation practice, Chinese elegy translation in particular. With the elaborate case study, the paper focuses on the application of Three-beauty Theory (beauty in sound, beauty in form and beauty in sense) in the translation of SuShi and Nalan Xingde’s elegies, and draws a conclusion that translators should deliver not only the beauty of sound and form in English version, but also the unique sense of Chinese elegy.

Key words：Three-beauty Theory; Chinese elegy; translation