中美戲仿電影發(fā)展對(duì)比

英語論文編號(hào):YY367  論文字?jǐn)?shù):6202.頁數(shù):20

A Comparison of Development of Parody Movies in America and China 
Contents
Abstract 1
摘    要 1
Introduction 3
1.1 Definition: Parody 3
1.2 Parody Movie 4
2 Literature Review 5
2.1 Parody Phenomenon in America and China 5
2.1.1 In America 5
2.1.2 In China 6
2.2 American and Chinese People’s Attitude towards Parody 9
3 The Popularity of Parody Movie 11
3.1 Features of Parody Movie: 11
3.2 Reasons for the Emergence and Popularity of Parody Movie: 13
4 The Impact on Culture and Future Development 15
4.1 About Copyright 15
4.2 Future Development 17
5 Conclusions and Implications 18
References: 18
Acknowledgements 19

Abstract: A parody imitates a work of art, literature, or music for the purpose of making playful fun or a joke of the original work. It was first used as a rhetorical means in literature. Later, it was also applied to different genres, such as cartoon, music, advertisement, and movie, etc. Parody is easily found in daily life.
 Parodies have a long history in both East and West. Parody movies are popular in America. Parodists are free to express their view on different aspects or problems of the society. Although the parody movie industry is not mature in China and it has aroused controversy, it is spreading quickly and has increasing influence on the society, particularly in the aspect of politic and traditional values.
 This paper gives an analysis of parody used in both America and China.
 The paper intends to look into how parody movies provide humor, and to understand how it developed, and its social influence. The ideas in this thesis enable readers to better understand Western culture and Chinese cultural values.
 The movies concerned include Shrek series, Hoodwinked！ and The Simpsons in America and Stephen Chow’s Movies , Crazy Stone in China.
 In the introduction, a definition and background of the parody movie will be given. It will also explore different views on this issue. The body will cover different ways of creating humor in the movies and how they poke fun at the issue intended to express the parodist’s ideas. The impact on people is included.
 Keywords: parody, egao, traditional value, deconstruction, infringement

中美戲仿電影發(fā)展對(duì)比

 摘    要
  仿擬為修辭學(xué)上的辭格之一，是指故意模仿套擬某種既成的語言格式，多用于諷刺嘲弄。仿擬起初作為一種修辭手法出現(xiàn)在文學(xué)作品中，隨后，漸漸在漫畫，音樂，電影等媒介中嶄露頭角。仿擬現(xiàn)象在生活中已隨處可見。
 本論文旨在通過對(duì)中美兩國(guó)電影中的仿擬現(xiàn)象進(jìn)行對(duì)比，通過中國(guó)網(wǎng)上惡搞視頻《一個(gè)饅頭引發(fā)的血案》在中國(guó)引發(fā)的惡搞熱潮引出仿擬現(xiàn)象在國(guó)內(nèi)外電影的應(yīng)用，如中國(guó)電影《瘋狂的石頭》，周星馳無厘頭系列電影，以及美國(guó)電影Shrek, Hoodwinked，The Simpsons等。本文研究幽默等技巧的運(yùn)用及在作品中是如何體現(xiàn)，并比較中美兩國(guó)電影對(duì)仿擬的運(yùn)用有何不同。通過分析，了解這些表現(xiàn)手法對(duì)人們產(chǎn)生的包括價(jià)值觀等方面的影響。
 關(guān) 鍵 詞 仿擬電影; 惡搞; 傳統(tǒng)文化; 解構(gòu); 侵權(quán)