美術(shù)館展示的空間延伸概念設(shè)計淺析

論文編號:HJ044     論文字數(shù):5977,頁數(shù):14

美術(shù)館展示的空間延伸概念設(shè)計淺析——以浙江美術(shù)館黃賓虹展覽展示設(shè)計為例
 摘  要
 浙江美術(shù)館其建筑風格建立在獨特的現(xiàn)代建筑造型之上，從中融入了中國古典水墨畫和書法的意境，使整個建筑空間風格剛?cè)岵⑦M，擁有獨特的韻味。則黃賓虹則是集書畫，考古，文字、收藏、篆刻于一身的藝術(shù)大師。再此前提之下，展廳內(nèi)部設(shè)計將美術(shù)館的建筑空間元素與黃賓虹大師書畫作品語言進行有效地互動和延續(xù)，重點突顯出空間的再延伸。以“整”空間運用“虛”隔斷而創(chuàng)造出更豐富、更具有層次感的展示空間。使參觀者不僅與作品交流，而且與空間延伸的藝術(shù)進行對話。
關(guān) 鍵 詞：美術(shù)館; 展示空間設(shè)計; 空間延伸概念；

Abstract
Zhejiang Museum of Art built on its unique architectural style of modern architecture style above to integrate into the Chinese ink painting and calligraphy classical conception, so that the whole style of rod-coil building space in hand, has a unique charm. While Huang is set painting, archaeological, text, collection, seal in a Master of Arts. Then this premise, the Museum of Art exhibition of interior design elements with architectural space painting master Huang Binhong language for effective interaction and continuity, focusing on the re-highlight the extension of the space. In order to "clear" space to use "virtual" partition and create a richer, more flu-level exhibition space. To enable visitors not only with the works of the exchange, but also an extension of the art space for dialogue.
Keywords：Museum of Art; exhibition space design; extension of the concept of space;