摘要:《霸王別姬》是中國民族傳統文化的經典作品之一，如今這四個字已演化成了多種含義與形式，本文通過對陳凱歌所指導的這部影片，首先闡述了影片主題，其次來探究中國文化轉型中的“民族化”與“現代化”在片中的具體體現，分別由京劇文化、人學文化、人文文化、導演風格四個部分構成，并就此將名家見解和個人見解融合，意在說明這部影片是如何在影視行業面臨“全球化”的壓力下順利地完成轉型，目的是既要看到我國民族傳統文化優秀的一面，也要意識到我們的不足甚至是所犯下的嚴重錯誤，同時找出《霸王別姬》在影片題材把握和運用電影語言方面的一些獨到經驗，最終是要指明在有關中國傳統文化題材的處理上應注意的問題和把握的方向，總之，我們要堅定信念，多拍出如《霸王別姬》這樣的優秀影片。
關鍵詞：中國；影視文化；轉型；民族化；現代化
STUDY ON NATIONALISM AND MODERMISM OF CHINESE CULTURE FROM FAREWELL MY CONCNBINE
Abstract: "Farewell, My Concubine" is the traditional culture of the classic one, and now the words have evolved into a variety of meanings and forms, this article on the film directed by Chen Kaige, the first theme described the film , followed by the transformation of Chinese culture to explore the "nationalization" and "modernization" in the concrete embodiment of the film, by the Peking Opera culture, human learning culture, human culture, style director of four parts, and this will be masters of opinion and personal view integration, is intended to explain how the film industry in the film face of "globalization" under the pressure of the successful completion of restructuring, aimed not only to see the fine traditional culture of our national side, should be aware of our shortcomings and even committed a serious error, and find the "Farewell My Concubine" in the understanding and application of film themes and language in some of the unique experience of ultimate goal is to specify the subjects in the treatment of traditional Chinese culture should pay attention to the problems and grasp the direction of In short, we should strengthen our faith, multi-shoot such as "Farewell My Concubine," this excellent film.
Key words：China; film culture; transformation; nationalization; modernization
